Maxwell, a newspaper reporter and an aspiring playwright, marries Louise. Louise is a wealthy woman in her own right and her family is fabulously so. Louise’s father so much as offers to buy the newspaper for Maxwell, but of course Maxwell would never accept such a gift. He’s built up a little nest egg and has decided to quit the paper and try his hand in the theatre. Louise is overjoyed — she, at least, is convinced of Maxwell’s genius. Perhaps she’s a bit too enamored. To her, Maxwell’s play is Maxwell’s alone, and she resents the intrusion of actors and directors and producers into the mix. She fails to see the collaborative nature of the theatrical business, and she fails to see that it even is a business — a play may be a great work of art, but if fails to sell tickets, nobody is going to stage it. Add to that the irrational jealousy Louise develops over the female lead and you begin to imagine that Louise, as tireless and enthusiastic a champion for her husband’s work as she is, isn’t exactly helping.
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