The Brown Study (Grace S. Richmond, 1917)

Donald Brown is living in… well, let’s not say a slum—the denizens, though poor and mostly recent immigrants, are good, clean, hardworking people making the best of what little they have. But Brown is plainly from somewhere else entirely. He takes on the role of a counselor—although those who come to him with their problems see him not as any kind of authority but as a dear and trusted friend.

It comes out, slowly enough, that Brown’s family is rather wealthy and Brown is, or was, the pastor of St. Timothy’s, one of the most exclusive churches in New York City. His doctor told him that, unless he gets out of it and takes a long, restful vacation, he’s fast on his way to a mental breakdown.

The doctor, and Brown’s fiancée Helena, were thinking someplace sunny and gay—the French Riviera, perhaps. But that’s not for Brown. While not an ascetic by any means, he dispenses with all the fineries and gewgaws that never meant much to him to begin with and settles down to a slow-paced, casual work among people who need him terribly more than the St. Timothy’s crowd ever did.

The one dark little cloud over Brown’s head is that he’s lost Helena. Surely, that patrician, borne and bread to high society, could never get along with Brown’s new way of living. But there’s he’s wrong. Resistant at first, she’s won over by the neighbors in Brown’s tenement court and begins to see beyond the funny accents and customs to the true worth inside them all. She marries Brown to help in his work.

No inscription.

Poor Man’s Rock (Bertrand W. Sinclair, 1920)

Jack MacRae returns home from the war to find his father destitute, barely clinging onto his cabin and a scant bit of land surrounding it of what had been his 600-acre ranch on Candle Bay in British Columbia. And it’s all that dastardly Horace Gower’s fault.

Jack makes it his life’s mission to ruin and Gower and reclaim his father’s land.

And he does, but in the end, well, Gower was never the demon old MacRae believed he was. He never undermined his business or soured his professional relationships. MacRae did all that quite nicely, himself. Gower never had much to do with Jack’s father at all. MacRae’s fiancée did leave him for Gower, that’s true, but she was an awful lot of people’s fiancée and Gower rues the day she decided he was the one rich enough to marry her.

Inscription: On the front fly left, “M. Cummings from D.J. Xmas 1921”.

The Leavenworth Case (Anna Katherine Green, 1878)

Horatio Leavenworth is discovered dead in his library, shot in the back of the head with his own gun. The door was locked but from the outside. Living in the house with him were his secretary, Trueman Harwell, and his two orphaned nieces, Mary and Eleanore. Eleanore is doing quite all she can to throw suspicion on herself: she’s found trying to hide the key, she burns some paper snatched from the dead man’s desk, the gun was cleaned with her handkerchief, and—when they think they’re alone and no one can hear—Mary flat out accuses her of the murder. When it’s the coroner or police asking questions, neither of the nieces will say a word.

All that’s suspicious, yes, but when you get down to basics—motive, means, and opportunity—Eleanore couldn’t have done it nor could Mary. I discounted the butler, cook, and maid simply because they’re not really characters. We don’t even meet the maid until after she’s dead, too. That only leaves Henry Clavering, Mary’s secret husband, and secretary Harwell, and only one of those men was not only in the house but in the room at the time of the murder.

No inscriptions.

Neglected to mention

I’ve fallen way behind on updates here—load of books I’ve read and said nothing at all about these last couple months.

Burned Bridges (Bertrand W. Sinclair, 1919)
Tongue of Flames (Mary Clark MacFarlane, 1923)
The House of the Whispering Pines (Anna Katherine Green, 1910)
Shavings (Joseph C. Lincoln, 1918)
The Perfect Murder Case (Christopher Bush, 1929)
Harvey Garrard’s Crime (E. Phillips Oppenheim, 1926)
The Black (Edgar Wallace, 1930)
Friend, You are Late (Alice Herbert, 1925)
Pass the Gravy (A.A. Fair, 1959)
Kept Women Can’t Wait (A.A. Fair, 1960)
The Case of the Worried Waitress (Erle Stanley Gardiner, 1966)